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WHAT: 19TH CENTURY STILL LIFES

Author: /time Magazine | Title: A Reliable Bag of Tricks | 5/11/1992 | See Source »

FOR SOME DECADES NOW, THE eye-fooler William Harnett (1848-92) has been one of the most popular American 19th century painters. Everyone relishes the stories about his gee-whiz illusionistic skills and how they mesmerized Americans at the dawn of the photographic age a century ago, people less drenched...

Author: /time Magazine | Title: A Reliable Bag of Tricks | 5/11/1992 | See Source »

On the wall, and somewhere under this tumulus of pedantry, is a minor artist with some distinctly good moments and a reliable bag of tricks, whose work can be enjoyed on its own terms without loading it with significance. All his paintings in the show -- with one exception, an inertly...

Author: /time Magazine | Title: A Reliable Bag of Tricks | 5/11/1992 | See Source »

Some artists don't seem to belong in the show at all, or only do so by force of custom. It's a toss-up whether you want to see George Segal's once white, now gray, plaster-cast figures in relation to mass culture; today they seem even more...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

In his earliest works, the artist displays a decidedly cubist influence. The dimension, subject matter and composition of such pieces as Bottle, Teapot, and Accordian are reminiscent of the distinctive collage still-lifes of the French artist Braque.

Author: By Suzanne PETREN Moritz, | Title: Viewing Forms of Le Corbusier | 10/19/1990 | See Source »

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