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Word: lifesize (lookup in dictionary) (lookup stats)
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"Here are most of my paintings, Morandi said to a reporter in the mid '50s, pointing to a thick dried crust of waste pigment that had accumulated through years of wiping on the crossbar of his easel. Morandi erased more paintings than he finished; his self-editing was relentless...

Author: /time Magazine | Title: Art: Master of Unfussed Clarity | 12/21/1981 | See Source »

In The Deer Hunter he plays an American ubermann, an Eagle-Scout of sorts obsessed by the boy's-book values of self-reliance and will power. He's an American hero of camaraderie who withholds himself from the weakening influence of women at the margin of his life for...

Author: By F. MARK Muro, | Title: DeNiro | 10/15/1981 | See Source »

After 1944-commemorated, in this show, by one of the most moving political posters ever made, Paul Colin's image of La France with crucified hands, staring into the future, her tattered dress suggestive of bombed cities-the artists began to regroup. "Paris-Paris" is exceptionally good on the...

Author: /time Magazine | Title: Art: Paris 1937-1957: An Elegy | 10/12/1981 | See Source »

In the early 1970s, Lichtenstein was fond of quoting Matisse, that supreme artificer of images denoting calm and luxurious revery. Run through Lichtenstein's mill, however, the images lost this aura entirely, becoming stark, neutral or even disagreeable. The three fish in Still Life with Goldfish, 1972, a broad...

Author: /time Magazine | Title: Art: An All-American Mannerist | 6/22/1981 | See Source »

Enough time in the museum can wash almost any art clean, but Lichtenstein's work, always restrained, has by now reached what amounts to a trance of near mechanical decorum. It scarcely trespasses upon the world of feeling or lived experience. If the word academic means anything in relation...

Author: /time Magazine | Title: Art: An All-American Mannerist | 6/22/1981 | See Source »

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