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But, granted that "movements" are more a dealer's spiel than a real feature of current art, there are still affinities among artists. What are the main ones here? To begin with, realist painting-but with a twist. The plain declarative style of tonal realism, whose American master is...

Author: /time Magazine | Title: Art: Quirks, Clamors and Variety | 3/2/1981 | See Source »

The show's nearly 200 photographs, chosen from more than 100,000 that were deposited for copyright purposes in the Bibliothèque Nationale in the years from 1848 to 1900, reach out toward the world in familiar and often contemporary ways. They include the equivalents of snapshots and...

Author: /time Magazine | Title: Photography: The Sense of a Magic New Gift | 2/16/1981 | See Source »

In his ten years of covering the boom towns and boondocks of America for CBS's 60 Minutes, Morley Safer has found himself in more motel rooms than he would care to remember. But Safer, 48, has made a virtue of professional necessity: he winds up his days on...

Author: /time Magazine | Title: People, Sep. 8, 1980 | 9/8/1980 | See Source »

Picasso never painted an abstract picture in his life. His instinct for the real world was so strong that he probably would have produced something woman-shaped every time he took brush in hand. Nevertheless, some of his cubist still lifes of 1911 run close to total abstraction, depending on...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

The sense of the cubist moment can never come again. It is almost as distant, in its dulcet and inexhaustible optimism, as the faith that built Beauvais. Cubism was the climax of an urban culture that had been assembling itself in Paris since the mid-19th century, a culture renewed...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

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