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Freshly reminded of Picasso's theater period, the critics have hailed its significance. Says Jean Cassou, director of Paris' Museum of Modern Art: "Picasso's theatrical works occupy a great place in his career. His whole genius, his entire work, including his still lifes, have a theatrical...

Author: /time Magazine | Title: Painting: Picasso's Theater Period | 8/13/1965 | See Source »

By any standards, the finest gallery in Boston in Vose, (238 Newbury St.). This is run by two Harvard men, Robert and Morton Vose, who are the fourth generation of their family in the gallery (founded in 1841). The deal primarily, like Childs, in American pictures of the last century...

Author: NO WRITER ATTRIBUTED | Title: Newbury Street: Boston's World of Art Tour of the Galleries | 4/24/1965 | See Source »

Probably the best thing about "100 Works" is its sheer size, its revelation of the realms of photography and skills of the photographer. In addition to stunning photographs of a pole vaulter, an HRO rehearsal, and other Harvardiana, Mr. Krupsaw has included intriguing color photograms (made without a camera directly...

Author: By Paul Williams, | Title: 100 Works by W. Krupsaw | 1/22/1965 | See Source »

THE MAGIC OF REALISM-Banfer, 23 East 67th. In egg tempera and acrylic polymer, in still lifes of snails and cockscombs and sultry human dramas, 18 slightly surreal realists change perspective and weave soells always uneasy, often unearthly. Through Dec. 31.

Author: /time Magazine | Title: Art: Art in New York: Dec. 18, 1964 | 12/18/1964 | See Source »

Johns chose subject matter that was purposely flat and familiar-U.S. flags, targets, maps, and the digits one to ten (see overleaf}. But to him, they are no more commonplace than the lemons of the still lifes of yesteryear. Transforming everyday objects into images of uncommon beauty is...

Author: /time Magazine | Title: Painting: Catcher of the Eye | 12/4/1964 | See Source »

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