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J. Hale Russell ’05, a former Crimson executive, is an English concentrator in Adams House. He is accepting commissions for original signed Russell still lifes entitled, “Lump with Lump.”

Author: By J. hale Russell, | Title: Drawing on Another Side | 7/23/2004 | See Source »

A good ten-minute walk up Main St. from Kendall, Salts is an intimate bistro featuring unusual fare. The menu changes seasonally, but its influences range from regional American to Eastern European. The small room seats forty-five, and is walled by light-washed still lifes. Strains of light jazz...

Author: By Margot E. Kaminski, CONTRIBUTING WRITER | Title: Salts Brings the Perfect Seasoning | 12/4/2003 | See Source »

He put motion and emotion in all his still lifes, glamour and elan in a weighty Sunday paper. Over his 80-year career, AL HIRSCHFELD'S witty hand made hardly an inapt stroke. At his death last week, five months short of his 100th birthday, this comic muralist left an...

Author: /time Magazine | Title: Milestones Feb. 3, 2003 | 2/3/2003 | See Source »

People still go to first nights in their tuxedos and evening dresses, but these are duded-up dinosaurs; today's theater opening is the latest in a series of wakes. At one of these poignant occasions, filmed for Susan W. Dreyfoos' vivacious 1998 documentary "The Line King: Al Hirschfeld," fellow...

Author: /time Magazine | Title: That Old Feeling: The Fun in Al Hirschfeld | 1/29/2003 | See Source »

The paintings in Impressionist Still Life were chosen for their quality, innovation, and cohesion, and borrowed from over fifty public and private collections worldwide. One painting, never previously shown in the United States, is Claude Monet’s (1840-1926) rare “Jar of Peaches?...

Author: By Isabelle B. Bolton, CONTRIBUTING WRITER | Title: First Impressions | 3/8/2002 | See Source »

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