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"Nymphs, Not Steam Engines." In 1914 at the age of 30, Segonzac finally held a one-man show. Paris was impressed (one collector so much so that he immediately bought several pictures), and Segonzac became a lion of the French art world. His friends were the cubists and Fauvists-Picasso...

Author: /time Magazine | Title: Art: Independent Frenchman | 11/17/1952 | See Source »

Marie Laurencin does not paint self-portraits any more. "At my age," she says, shaking her white head, "that is finished now." She lives alone, and except for an occasional spin around Paris in a bus, she seldom goes out. But the mothers with daughters in tow still come to...

Author: /time Magazine | Title: Art: Pretty Girls | 7/21/1952 | See Source »

The idea of universality pushes out most strongly in Cox's abstractions. He paints what he calls "basics," e.g., canvases combining such forms as rocks and eggs, which offer contrast in texture. ("Eggs," he says, "have a softness and smoothness and at the same time a nervous feeling.") He...

Author: /time Magazine | Title: Art: Experiments in New England | 7/21/1952 | See Source »

If anything, Georges Braque seemed to grow younger with years. Ranging the gallery walls were 32 paintings as fresh and varied as those of any young hopeful struggling to find a "style." There were clear Normandy seascapes, bright Fauvist landscapes, familiar cubist figures, tight abstractions, and soft, flowing still lifes...

Author: /time Magazine | Title: Art: The Magic Ray | 7/14/1952 | See Source »

To prove the point, Marcus and a group of fellow Texans sifted through the work of scores of artists, settled on samples from 53 of them for a show in Manhattan last week. The 53 were as varied as Texas itself. If there was any pattern, it was an apparent...

Author: /time Magazine | Title: Art: Lone Star Artists | 6/30/1952 | See Source »

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