Word: ligetiã
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Lipkind told the story of György Ligeti??s “Sonata for Cello Solo (1948, 1953)” on his 1702 Bolognese violoncello in stylish fashion. The first movement, “Dialogo—Adagio, Rubato, Cantabile (1948),” opened with a pulled string that was vaguely reminiscent of my guitar-tuning days. However, Lipkind executed the note—and the rest of the movement—with confidence and extreme command. The continuation of the music explains how the composer has fallen hopelessly in love and is desperately trying...
...features Salvatore Sciarrino’s Hermes; Elliot Carter’s Double Concerto for Harpsichord; Mario Davidovsky’s Synchronisms No. 6 for piano and tape; and Giancento Scelsi’s Anahit. Saturday’s program includes George Crumb’s Vox Balaenae; George Ligeti??s Cello Concerto; Bernard Rands’ Concertino for oboe; and Tristan Murail’s Ethers. A discussion with composers Mario Davidovsky and Bernard Rands to follow on both days. Admission free. 8 p.m. Paine Hall...
...Stravinsky under Misono’s baton, outgoing conductor Sean H. Ryan ’03 will lead the rest of the program tonight, which will also include Azura Rising by Ben E. Green ’06, winner of the orchestra’s annual composition competition, Ligeti??s Ramifications, Barber’s Adagio for Strings and de Falla’s El Amor Brujo—which Ryan says he has wanted to conduct since last year...
...Sean H. Ryan ’03, presents Azura Rising, the winning submission in the 2003 Composition Competition, written by freshman Benjamin E. Green ’06. The Orchestra, Harvard’s only entirely student-run orchestra, will also play Barber’s Adagio for Strings, Ligeti??s Ramifications, Stravinsky’s Suite no. 1 for small orchestra, and Manuel de Falla’s El Amor Brujo. Friday, April 25 at 8:00 p.m. Tickets $8 regular, $6 students, available at the Harvard Box Office or by phone (617) 496-2222. Paine Hall...
| 1 |