Word: lightered
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Dates: during 1960-1969
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...Cassius in Madison Square Garden last Spring. Jones, however, maintains hope for a shot at the champ and will soon fight unranked Alex Koskowits instead, to avoid a further blemish on his record. Jones enthusiasts--and they are scarce--point out that at 185 their boy is no lighter than Marciano or Dempsey when he took the title. But then, Jones is no Marciano. Marciano probably would have lasted no more than ten with Liston, and as for Dempsey, 180 pounds is all that Doug has in common with...
...they lined up: Clark and Gurney in front, a snarling pack of Offies stretched out behind. The starter's flag dropped-and the race seemed over before it really began. Blasting nearly full-bore into the shallow-banked turns, the lighter (by 600 Ibs.) Lotus-Fords made the U.S. cars look like dump trucks. After 20 miles, Clark and Gurney were already lapping the slowest Offies. Parnelli Jones gave up the chase with magneto failure on the 43rd lap. U.S.A.C. Sprint Champion Roger Mc-Cluskey rammed into California's Chuck Hulse, and both Offies cracked into the retaining...
...Italian suit, a forcrunner of the continental look, is more fitted in shape. Its coat is a version of the in shape. Its coat is a version of the British model in lighter, less rich materials. The Italian suit was a flop here...
Colors will be lighter this season. Charcoal is giving way to dark gray, and even light gray. "Bottle green," possibly named after the shade of English beer bottles, promises to be popular for blazers, and there are indications a reddish maroon called cranberry will also find favor. Blue, especially in tweeds, will appear frequently...
Lebrun's emphasis on weight and power makes the almost classical grace of his women on the right of "Two Figures Happening" all the more remarkable. The figure on the left displays typically massive thighs and a heavy torso inclined forward. The right-hand figure is powerful but much lighter. She twists toward her companion and her left arm, bent at the elbow, is thrown across her face. There is grace but not freedom. Both figures really seem to be "happening," to be struggling free of the surrounding darkness. Even in a classical motif Lebrun preserves the heaving...