Word: lighting
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Dates: during 1990-1999
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...scrolling words of the famous opening to Episode IV marked the beginning of the famous Star Wars Trilogy. Against the backdrop of a rebellion against an evil galactic Empire, the conflict between the Light and Dark sides of the Force is epitomized by the characters that have become a part of our cultural identity: Luke Skywalker, Obi-Wan Kenobi, Darth Vader, etc. Star Wars reflects and explores several fundamental themes of human nature, including loyalty, honor, adherence to right and perseverance against wrong. After The Empire Strikes Back and Return of the Jedi, the Star Wars phenomenon continued to grow...
...Heartsongs in its unwavering gaze at human tragedy in nature's liminal spaces, where no quarter is asked and none given by protagonist, nature or narrator. It is this equanimity of Proulx which, together with her remarkable and idiosyncratic eye for texture, makes her stories so compelling. Throwing harsh light, she does not appear to cede sympathy; but it is true that there exists, in her strongest work, a kind of vast and vague mourning call, a deep sighing identification...
...perhaps the best of the stories in the new collection, "People in Hell Just Want a Drink of Water," tells of the way a family of cow-boy brothers viciously castrate a severely crippled man: Proulx comments, "Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that." The reader should be grateful that Proulx does not often drop into this kind of openly reflective tone: she is at her best when carefully texturing rural life, when she tells her stories without wavering or flinching...
...Heartsongs in its unwavering gaze at human tragedy in nature's liminal spaces, where no quarter is asked and none given by protagonist, nature or narrator. It is this equanimity of Proulx which, together with her remarkable and idiosyncratic eye for texture, makes her stories so compelling. Throwing harsh light, she does not appear to cede sympathy; but it is true that there exists, in her strongest work, a kind of vast and vague mourning call, a deep, sighing identification...
...perhaps the best of the stories in the new collection, "People in Hell Just Want a Drink of Water," tells of the way a family of cowboy brothers viciously castrate a severely crippled man: Proulx comments, "Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that." The reader should be grateful that Proulx does not often drop into this kind of openly reflective tone: she is at her best when carefully texturing rural life, when she tells her stories without wavering or flinching, without...