Word: lightly
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Dates: during 1980-1989
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...portrayed on television in the 1960s, the comic-book superhero Batman was the ultimate stuffed shirt, a crimefighter so morally upright that he would wait for a red light to change before following criminals across the street. In a bizarre world of Penguins and Riddlers, Batman was the perfect straight-man. He never realized how fundamentally weird Gotham city was, and that's why the show was funny...
...nature of the faculty aside, however, the real education at Harvard Summer School comes from getting accustomed to new people and a new town. They don't call it Camp Harvard for nothing. The workload is very light (there's no way in hell it constitutes a full semester load), and academic obligations never precluded me from exploring the city...
...about steel. It was the bronze of modernism, the normal substance of constructed sculpture for the past 60 years and more. What was unusual was his decision to combine it with glass and thus make transparency, as much as spatial enclosure, a part of the sculptural effect. Wilmarth loved light. It was his madeleine, a trigger of memory, as a particular smell might be to others: "I associate the significant moments of my life with the character of light at the time." In fact, glass came before steel in his work of the early '70s, and some of his most...
...large works like the Nine Clearings for a Standing Man, 1973, Wilmarth achieved the kind of grandeur of light and pared-down form that one associates with Rothko at his best, and something more: the sense of a figure, not described but evoked by a flat vertical plane, behind the glass. Even in a smaller piece like Is, Was (Chancing), 1975-76, there is a fascinating exchange between dark and light, solidity and translucency, underwritten by the economical logic of its making: a single sheet of steel cut and folded, a single plate of glass. And the cables that hold...
...attachments that suggest a window frame, and thus someone (the sculptor himself) looking out into our space. These pieces are darker and less restrained. The smoothness of the glass gives way to textures of rust and even spattered lead -- the silvery color of the lead functioning, like paint, as light. They are Giacomettian in their sense of endurance, remoteness and loss. But the phase of Wilmarth's work that they began was not to be completed. This was a sad subtraction...