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True to its name, the F.U.D.G.E. Theatre Group’s latest production, “Nevermore,” has certainly transformed my image of Edgar Allen Poe in an irreversible way. Nevermore will I see Poe in the same light. Nevermore will he simply be a talented but crazed author whose work reflected this juxtaposition of character. Instead, after seeing the aforementioned musical, I will empathize with the early loss of loved ones, the sense of stark loneliness, and the tortured mind that defined this misunderstood poet. Through “Nevermore,” director Joe DeMita...

Author: By B. marjorie Gullick, CONTRIBUTING WRITER | Title: ‘Nevermore’ Reimagines Poe | 11/13/2009 | See Source »

Medefind also gives a very effective performance as Aline. The role offers limited dramatic opportunities, but Medefind’s light yet textured soprano brings great charisma to the part, especially in the song “My Kindly Friends/Happy Young Heart.” Selowsky shines as Lady Sangazure, combining vocal agility with dramatic sensitivity. Her rich timbre and mature legato stand out particularly in her aria “My Child, I Join in These Congratulations” and her duet with Sir Marmaduke, “Welcome...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

Fernandez-Barkan ably handles this topsy-turvy romance, drawing out the wit of Gilbert’s libretto as Wong gives Sullivan’s music its due. “The Sorcerer” may be a light opera from Victorian England, but, thanks to this production’s charms, the work still amuses today...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

...Cowboy Casanova” establishes becomes depressingly familiar as the album goes on. This is surely one of the least melodic albums ever released by a conventional candidate for pop superstardom. With the sole exception of “Quitter”—a light, playful track firmly in the traditions of Nashville—the entire record consists of overwrought, impeccably produced, tuneless and indeed lifeless numbers as utterly forgettable as the “coronation songs” that “American Idol” winners sing in each year’s final show...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

Though the majority of songs on “Attention Deficit” are light-hearted jibes at the establishment, Wale also displays an interest in dissecting racial issues and romantic tribulations. Contrary to my first thought, “Shades” is not a meditation on the value of stunna shades. It is in fact an examination of intra-race relations between African Americans with different skin tones that ponders the various stereotypes faced by people on account of their skin color. Slower-paced and more relaxed, “Contemplate” and “Diary?...

Author: NO WRITER ATTRIBUTED | Title: Wale | 11/13/2009 | See Source »

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