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Harvard, which announced in February that it would be slowing construction of its much-heralded Allston Science Complex, has come under fire from local residents who fear that the University is abandoning its institutional plans for the neighborhood in light of fiscal troubles...

Author: By Michelle L. Quach and Peter F. Zhu, CRIMSON STAFF WRITERS | Title: Harvard To Award $100K in Grants | 9/20/2009 | See Source »

...case is only coming to light now in Australia after the Herald Sun, a Melbourne daily, broke the story on Thursday. Two years after approaching the police, the victim filed a restraining order against her father, and in June 2008 she pressed charges. Seven months later, in February, the man now referred as the "Australian Josef Fritzl," was arrested. In his 60s, the man is due to stand trial in November for five charges of rape, five of incest, and one of indecently assaulting a girl under the age of 16. Initially, he denied the accusations, but a DNA test...

Author: /time Magazine | Title: Australia Outraged Over Its Own 'Josef Fritzl' | 9/19/2009 | See Source »

...could take their bicycles for a ride. "I thought, 'Daddy?' It didn't sound right to me. That's not a normal sort of thing.' No, and neither is the fact that this is the third case of this kind of gross incest and child abuse to come to light this year...

Author: /time Magazine | Title: Australia Outraged Over Its Own 'Josef Fritzl' | 9/19/2009 | See Source »

...Metaphor to my life, man / Still I feel my heart stronger than it’s ever been, / Strong will ’til my journey ends, / ‘Til then I roll…”—it seems a bit insincere in light of its remarkable similarities to Kanye’s “Welcome to Heartbreak.” “Man on the Moon: The End of Day” is futuristic, but in other ways it’s also a throwback. Cudi’s rhymes hearken back...

Author: By Sarah E. Rich, CONTRIBUTING WRITER | Title: Kid Cudi | 9/18/2009 | See Source »

...dull and uninspired, and the lounge-style piano playing that closes out the song is just plain irrelevant. The whole six minutes feels like Queen sans the sing-alongs—and the tunes. This unmitigated disaster is immediately followed by the funereally paced “Guiding Light.” It’s no better than its predecessor, further proving that loudness doesn’t preclude tedium. “I Belong to You” is lively enough, but you can’t help but wonder whether Muse’s apocalyptic sound...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Muse | 9/18/2009 | See Source »

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