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Word: lightweights (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Harvard Radcliffe Orchestra; Lightweight crew. HAS advertising; HAND (House and Neighborhood Development...

Author: NO WRITER ATTRIBUTED | Title: Candidates for Radcliffe class Marshal | 10/1/1984 | See Source »

...women's lightweight crew team completed it most successful season ever with a win at the Eastern Sprints, but not before the defending titlist, Smith, put a scare into the Radcliffe champs...

Author: NO WRITER ATTRIBUTED | Title: It's academic: Harvard was tops in the field | 9/17/1984 | See Source »

...Olympic boxing competition Saturday, fight fans could be forgiven for thinking that what they saw was more like a gloved version of the dismal science instead. Economics, not fisticuffs, was on everybody's mind. "After I get that gold medal, I'm turning pro," declared Lightweight Winner Pernell Whitaker, 20, before the tournament began. Boasted Flyweight Gold Medalist Steve McCrory, 20, younger brother of World Boxing Council Welterweight Champ Milton, after the semifinals: "I'm going to make this the richest division in boxing -$10 million in two years, and that's on commercials only...

Author: /time Magazine | Title: Olympics: GOLD TODAY, GREEN TOMORROW | 8/20/1984 | See Source »

...other songs on this EP really match "Such 'n' Such" for the subtle way in which a nightmare casts a long shadow over playful innocence. Nevertheless, Oh-Ok does succeed in balancing the eerie, depressive tone of such songs as "Choukoutien" and "Elaine's Song" against the quiet, lightweight charm of numbers like "Straight" of "Giddy Up." And throughout the album, Oh-Ok manage to sustain a surreal, dreamlike atmosphere, without resorting to complicated, labored sound effects that would undermine this EP's simple, uncluttered quality...

Author: By Marek D. Waldorf, | Title: Nursery Rhymes for Modern Times | 8/7/1984 | See Source »

Instead of monumental stone and steel, the design features banners, bunting and balloons fluttering in the wind, lightweight fantasy structures jutting into the sky, odd-shaped cardboard-and-fabric tents sheltering the crowds. What first strikes the eye is the color scheme created by Deborah Sussman, the graphic designer in charge of all the Olympic imagery. Says Sussman: "The palette consists of unexpected, stimulating juxtapositions that instantly separate the Olympic pageantry from the everyday environment, the drabness of permanent institutions, industries, streets-hot magenta, vermilion and chrome yellow, set off by aqua. They are Mediterranean colors but also suggest Mexican...

Author: /time Magazine | Title: Design: A Festive Moment, Not an Epic | 8/6/1984 | See Source »

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