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Born Herbert Ernst Karl Frahm, the illegitimate son of a Liibeck shopgirl, he was raised by his grandfather to be a fervent blue-collar socialist. In 1933, to escape arrest by the Gestapo, he changed his name to Willy Brandt and fled to Scandinavia. In Norway and Sweden, his doctrinaire socialism was mellowed by experience of the more pragmatic Scandinavian brand...

Author: /time Magazine | Title: Man Of The Year: On the Road to a New Reality | 1/4/1971 | See Source »

...rivalry between the Nazis and Socialists spilled over into bloody street battles that erupted all over Germany. In the Baltic seaport of Liibeck, the Nazis met a tough opponent in a husky, square-jawed youth named Herbert Karl Frahm, a member of the Socialist youth club. The son of an unmarried shopgirl whose lover had deserted her before the child's birth, Herbert Karl and his mother lived as boarders in the home of a chauffeur whose own wife had little patience with the child. Perhaps to compensate for his unhappy circumstances, the boy excelled at school, winning a scholarship...

Author: /time Magazine | Title: World: WEST GERMANY: OUTCASTS AT THE HELM | 10/10/1969 | See Source »

Barlach summed up his disgust with the first World War with his famed Avenger, whose headlong, sword-slashing figure was later to arouse Adolf Hitler's wrath. For a group of 16 figures commissioned for the Gothic niches of Liibeck...

Author: /time Magazine | Title: Art: Modern Gothic | 4/2/1956 | See Source »

...major artistic find, the frescoes are among the few Gothic wall paintings still in existence. For their fine state of preservation, Liibeck can thank sedate 15th Century churchmen who considered such lively church decorations old-fashioned and undignified, ordered them whitewashed in 1476. A generation or two later came the Reformation, the Marienkirche became a Protestant church, and the Lutherans kept up the whitewash treatment. In a short while, the underlying frescoes were forgotten by all but scholars...

Author: /time Magazine | Title: Art: Under the Whitewash | 9/10/1951 | See Source »

This week Liibeck put its restored treasures on view as part of a combined celebration of the Marienkirche's 700th anniversary and its reopening for Lutheran services for the first time since 1942. Despite other war damage still only partially repaired, the interior of the Marienkirche looks more as its original decorators intended than it has for 500 years...

Author: /time Magazine | Title: Art: Under the Whitewash | 9/10/1951 | See Source »

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