Word: like
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Dates: during 1940-1949
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...have inspired the Chinese Communist arrest of our Mukden Consul, Mr. Angus Ward, which of course makes any recognition of the Poking regime by us at the moment impossible. To those Chinese Communists who want to have continued relations with the United States, this arrest may have seemed like a smart form of pressure; but of course we will never yield to it. For the Russians, it is a convenient way of keeping China out of contact with us. This Russian angle should be carefully noted...
...wouldn't expect Boston's Latin Quarter to be the scene of a revolutionary experiment in show business. Yet that night club is currently initiating a complete musical revue, much like the Broadway product--and this in the same room where you can eat a wiener schnitzel and drink an African Zombie. At 8:30 and 11:30 p.m. the nitery's green-vested waiters clear the dessert dishes and fill the water glasses; the lights dim, and the stage at one end of the room becomes the center of interest for the next hour, as a group of young...
This may sound a good deal like the "theater-in-the-round" idea. In many respects it is, but actually "The New Theater" is a compromise between "theater-in-the-round" and the present proscenium stage. A lot of the new stage is still hidden from the audience--enough to allow for rapid changes of scenery. According to Mr. Wright's manifesto, which is posted near the model, scenery is built below the stage and rises on ramps to the playing area, which is equipped with a revolving disk. The "fly gallery" above the stage is completely eliminated...
...Piece of My World" contains works by Grosz that are taken from many stages of his career. Despite a regrettable lack of dates on most of the paintings, the observer can follow Grosz' progress from early attacks on specific, topical subjects to abstract, but unmistakable blows at broad subjects like warfare and wretchedness...
Technically, Grosz ranges widely. Some of his early works show the influence of the first Italian abstractionists; others, like his "The Horseman is Here Again" and "Christ in a Gas Mask," have much of the quality of Durer's woodcuts. Later watercolors, however, are pure reflections of his own creativeness. These paintings, dating from 1946 to the present, repeatedly picture a twisted, angular, skeleton-like creature whom Grosz calls "the Gray Man." Other recurring symbols are an artist's canvas with a hole torn in its center, and a rainbow-colored flag torn from its staff. The series of water...