Word: like
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Dates: during 1970-1979
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...futuristic tale about the rediscovery of music in a society that is totally programmed and controlled. Called Lifehouse, the piece was intended to be a kind of environmental theater event. Some of Townshend's best songs were written originally for Lifehouse: Baba O'Riley, with its synthesizer line running like cold water down the spine, mixing with an old Irish fiddle reel and the memorable lyric refrain, "Don't cry/ Don't raise your eye/ It's only teen-age wasteland"; the aching, almost elegant poignancy of The Song Is Over and Pure and Easy. All these songs concerned music...
...four parts remain in uneasy alliance. When Drummer Keith Moon was alive, he was like a self-contained chain reaction, "our little bit of nasty," as Daltrey calls him. Moon died of an overdose of Heminevirin, a drug he was taking to combat his alcoholism. Moon's passing forced a crisis within the group, the three surviving members re-examining their loyalty to rock, and to each other. Daltrey told Townshend: "Keith's life and death were a gift to the group. A sacrifice to allow us to continue." Townshend recalls thinking at the time, "How can I agree with...
...Daltrey says, The Who is like a family, then Kenny Jones is still perhaps the orphaned cousin from overseas who has come to start a new life. "The others were a bit arrogant at the outset," Jones reports. "We'd start playing one of their songs, and they'd be shocked I didn't know it. But why should I know Who songs? I had my own band." After a decade and a half spent playing and warring together, the three senior Who members may be like brothers, but with undercurrents of the Karamazovs and an overlay of the Dalton...
...left school in London, took a job as a sheet-metal worker that he held for five years. He also made his own guitars and formed a group called the Detours. On the street one day, he spotted "this great big geezer with a homemade bass that looked like a football boot with a neck sticking out of it," and recruited Entwistle on the spot. Soon after that, Daltrey decked the Detour's lead singer and took over the vocals himself. Now the Detours needed a rhythm guitar player. Entwistle mentioned his school chum, Townshend, whom Daltrey recalls as "looking...
Some things, however, remained unchanged. The Who continued to battle among themselves, drawing sustenance from friction that often flared into spot fires, blazing quickly and suddenly like canyon conflagrations in Los Angeles. Everyone had quit the group at one time or another. In 1965, Daltrey left, vowing to form another group, and came back a week later. "I thought if I lost the band I was dead," he says now. "I realized The Who was the thing, the reason I was successful. I didn't fight any more ... for a couple of years." Townshend, however, was not trying as strenuously...