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Word: likeness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...first nurse missed her vein so another nurse tried her luck on the other arm. The guy next to me said he was giving blood to protest the war. I did not have any pat answer explaining my reasons, but part of it was because giving blood is like giving money to charity-except it gets under your skin a lot more...

Author: By Samuel Z. Goldhaber, | Title: And Life Blood Today at Mem Hall | 12/5/1969 | See Source »

...same upper-middle class will be hiring the same hot young lawyers to win freedom for their sons, while the same ghetto class accepts induction like bad medicine. And the student deferment system remains intact. Confrontation with the I-A status is still postponed as it was before. until after graduation. The unofficial strings that post-graduates have pulled to stave off the draft entirely can still be pulled...

Author: By Jeffrey S. Golden, | Title: Death The Numbers Game | 12/5/1969 | See Source »

...joke: I put on a quiz-show contestant grin and burble "Golly, Hugh, I've never won anything before. "But I can't seriously cope with the fact that I look like a raffle ticket. albeit a choice one, to my own government...

Author: By Jeffrey S. Golden, | Title: Death The Numbers Game | 12/5/1969 | See Source »

...whole process of rehearsal has been like interpreting a drama; this fluid state has only been possible, I think, because within the structure of Chekhov's play we were allowed to spend so much time in exercises and experimentation. This was one reason why I chose Chekhov and not a loosely constructed modern play which, though it might be more "relevant," would allow us too much freedom to rewrite and re-create. Chekhov is like God to us: nothing can be changed without the most careful examination of why he wrote it-and when we find out why, we realize...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

Similarly, at other times the actors perform the sub-text of a scene as animals; if we show the sub-text of an object with something which is non-specific, we show the inner reality of a scene by playing against its superficial level. All scenes on stage are like icebergs, and when one prepares for them one discovers, hopefully, the 90 per cent that is submerged...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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