Word: likeness
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Dates: during 1960-1969
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...untalented artist as well as by the gifted one. The Milky Way, in fact, seems made of both varieties. Its shards and fragments remain in the retina long after the film has flashed by. Yet the angry whole is never equal to some of its parts-as if, like a doctor attending a plagued patient, Buñuel had been infected by what he was treating. "We have just enough religion to make us hate," said Swift, "but not enough to make us love one another." It is impossible to differentiate between the faults of the church and the faults...
...weary and almost completely deaf, Buñuel moves like a pained penguin, as if he feels every second of his 69 years. Yet like his countryman Picasso, his large, intense eyes seem illuminated from inside by some unquenchable zeal. No one knows whether Tristana will indeed be his finale or whether Luis Buñuel is trying to propitiate fate by loudly leaving art before reality quietly leaves him. If there is any certainty about the enigmatic old film maker, it was recently voiced by New Wave Director Louis Malle: "Buñuel will die with the director...
...adulatory biographer like Theodore Besterman is just the further aggravation that a resenter of Voltaire's cocksure reformism does not need. Mercilessly detailed, Besterman's book is a scholarly but unabashed case of hero-worship by the English founder and director of the Institut et Musée Voltaire in Geneva and editor of the 107 volumes of Voltaire's Correspondence. Besterman's zeal can nearly do the impossible: make his scintillating subject dull. Yet Voltaire survives even his sedulous admiration-perhaps because no age can help finding a man fascinating who himself was so fascinated...
...overwhelmed his age with his will, energy and versatility. Yet out of the 10 million words that Besterman estimates he wrote, how many are read-how many are readable-today? Certainly not his dated verse tragedies about Frenchified classical heroes. Nor his special-pleading history. Nor his philosophical tracts like Traité de Métaphysique which placed him, in Besterman's phrase, only "the tiniest possible step away from atheism...
...generations, most Americans have regarded tradition as something to be abandoned without much regret-like a too heavy saddlebag on the Donner Pass or a jammed rifle at Shiloh. That a man should live and die in the house where he was born, that he should take up his father's trade as a matter of course-these things have signified stagnation. Change has been our commonplace, our comfort and our proof of progress...