Word: likeness
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Dates: during 1960-1969
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...moment, I feel like the amnesiac in Spellbound, aware that something strange is about to happen. I am apprehensive; obscurely excited...
...sparsely budgeted, highly profitable, eminently disposable movies. Bedazzled, a whimsical parable of the Seven Deadly Sins at work in British society, was the exception. In a brief appearance as Lust, Raquel buffeted the distressed, innocent hero, Dudley Moore, with forethrust bosom and broad double-entendres ("Would you like hot toast?or buttered buns?"). Raquel's own, equally broad brand of humor surfaced during shooting breaks. Once she and Moore repaired to a dressing trailer while the crew eavesdropped outside. Raquel, playful lass that she is, suggested that she and Dudley pretend that they were making love. Accordingly, they made...
...black." She and Brown finally stopped talking altogether. The picture was execrable. But it cost only $6 million and raked in money. Another south-of-the-border oater, Bandolero, gave Raquel the opportunity to demand of Dean Martin, "How duss hay man get to be han hanimal like ju?" Such lines at least scotched rumors that Raquel was a crypto-Chicano; her accent was pure Hollywood...
...Jagger is slight, almost frail," wrote TIME Correspondent David Whiting, "and in a howling, Dixie-rag voice he calls out, 'Hi, y'aaalll.' The crowd erupts. The Stones launch into Jumpin' Jack Flash, the guitars driving. Jagger stretching out the syllables, howling notes much like the old Bob Dylan. At the end he cries, 'Are you having a good time?' The bad guy trying to please. Then Carol, bop-bop-bop-bop, a great oldie, good times at the record hop all over again. Jagger leaps about the stage, smirking, jerking, prancing, shooting pelvic...
...viola's great masters, Kroyt joined the Budapest in 1936, and two years later the brilliant foursome traveled to the U.S., where their concerts and records raised chamber music to new heights of popularity. Their repertoire ran from the classical Beethoven and Brahms to moderns like Bartók and Milhaud, all played with a passion and Toscanini-like elegance that substantiated their preeminence as the best string quartet of the century...