Word: likenesses
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...Living Magazine—an event taking place this Wednesday at the Sackler Museum—aims to share some of the works of censored international writers, like Mandanipour, hailing from countries including Iran, Burma, and China. The featured writers will be giving presentations about their work as editors of publications, all of which have been banned by their government except for that of Burmese writer Ma Thida...
...magazines that are rendered “dead” by the censorship of their governments. Although it may be easy to forget that free speech is in fact a privilege and not a right in many areas of the world today, this stifling reality is something that writers like Mandanipour face as a constant presence. Many have suffered imprisonment in dedicating their lives to fighting for their freedom. In this way, The Living Magazine offers an opportunity for these writers to speak for many of those who cannot...
...final track of an album is its most telling, but Brooklyn-based alternative rock band MGMT’s sophomore release, “Congratulations,” achieves just that with its title track; an acoustic ode to success and the acclam that accompanies it. The song, much like their debut album’s opener, “Time To Pretend,” is puzzlingly ironic, in that one is pretty sure it is ironic, but can only guess to what extent. Whereas “Time to Pretend” presented an obvious pastiche...
Take, for instance, “Flash Delirium,” the closest the album has to a single. Released a few weeks ago as a free download, like many of the tracks on “Congratulations,” it is a smorgasbord of styles. At one moment it seems like the successor to the synthpop groove of “Time to Pretend,” but within seconds it shifts to a guitar melody with a heavy walking bassline, eventually arriving at an atmospheric conglomeration of multiple vocal lines and ringing synths. During the song?...
...Congratulations” isn’t supposed to be easy or accessible. Many may listen to it once, find nothing of interest, and discard it. But that will be their loss. Whether it’s the Kinks-like tongue-in-cheek third-person storytelling of “Song for Dan Treacy,” the Berlin-era, Bowie-esque piano instrumental “Lady Dada’s Nightmare,” or the seeming dozens of stylistic shifts through 12-minute album centerpiece “Siberian Breaks,” the album is full...