Word: likenesses
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...Rohrer often has worked on multiple shows at the same time, and yet, Griggs explains, “He never complains. He’ll often be the only one in the theater, fixing everything quietly until it’s finished, and then it just seems to happen like magic.” When asked how he juggles such an intense workload, Zellmann-Rohrer simply replies, “I always tried to think of it as a hobby or a fun extracurricular. I got through those stressful times by remembering that it was supposed...
...make sure that every project that I took on has been challenging me in a different way than anything has challenged me before,” Cutmore-Scott explains. “I’ve loved trying stuff that I am not really sure I can do. Like playing in Hasty Pudding was very much out of my comfort zone—I was a wolf and then a female swan—and that was a great experience.” Indeed, he has had the courage to play roles ranging from that female swan to Hamlet...
...produced “Fall,” a comedy about the ups and downs of being a freshman. “There is always a spin and twist to his writing,” Zachary B. Sniderman ’09 notes. “Even with something like ‘Fall,’ which seems straightforward, he was looking for ways to break the boundaries...
Herbert, Hopkins, Goethe, and Dostoevsky are only a few of the voices that C.K. Williams conjures in his new collection, “Wait.” In one poem, he applies fertile Hopkins-like music to descriptions of dust and destruction, while in another he re-imagines a scene from “Crime and Punishment” in which Raskolnikov notices a “Jew on a Bridge.” But even as he takes on the styles or subjects of canonical writers such as these, Williams manages to consistently maintain the gentle, witty, and honest...
...those ‘I’s who aren’t truly at one with themselves, / who in construing themselves betray the ‘I’ they could/should have been,” Williams implies that his own “I” is, like Goethe’s, not entirely trustworthy. However, although he casts doubt on the reliability of this subjective “I,” it is in fact the apparent genuineness of his voice that makes his work throughout the collection so transfixing...