Word: likenesses
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Saturday seemed like a perfect opportunity for Harvard to break the trend. After two disappointing losses to Brown (12-25, 9-5) the Sunday before last, the Crimson put up convincing victories over the Bears the next day—including a 9-0 blowout in which junior Max Perlman and freshman Andrew Ferreira combined for a five-hitter with no walks. Even with a Beanpot loss, Harvard seemed to have more than enough momentum to break its streaking habit with dominant wins over Yale (17-19-1, 4-10), the last-place team in the Rolfe Division. One game...
...still getting over bronchitis and my show opens tomorrow!” A statement like this doesn’t sound so incredulous coming from Christine K. L. Bendorf ’10, a Quincy House senior whose passion for theater would never allow her to be stopped by something so trivial...
Sondheim was instrumental in what Bendorf considers her most positive artistic experience on campus—performing the role of Johanna in “Sweeney Todd” during her sophomore spring. “It really felt like my first show that could be professional,” she says, recalling how the production sold out the Loeb Mainstage—something the American Repertory Theater’s professional productions rarely accomplish. “We joked that we could’ve taken it to Broadway,” she says...
Palahniuk takes his time at the beginning of the novel introducing the character of Katherine Kenton, who seems like a cross between Katharine Hepburn, Angelina Jolie, Elizabeth Taylor, and Lindsay Lohan. In the narration, Coogan discusses her own endless maneuvering to manage Kenton’s movie-star image, calling the actress, “my work-in-progress,” and adding, “My job title is not that of nanny or guardian angel, but I perform duties of both.” The reader follows as she juggles Kenton’s drug use, serial...
...Like most Palahniuk books, “Tell-All” will probably satisfy the core readership of his books, though even they may be disappointed by the lack of Chuck’s usual revelations. Since starting his career almost fifteen years ago, Palahniuk has been a champion of the groundbreaking and the avant-garde. Though “Tell-All” may have been groundbreaking 20 to 50 years ago, it seems unlikely that it will resonate as much with an audience today—one that feels it already knows too much about celebrities...