Word: likes
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Dates: during 1900-1909
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Dean Hurlbut's agreement does neither the one nor the other. It does not take the first view, for it self-evidently shows annoyance at the incident, tries to brush the Med. Fac. away like some trouble some fly, and means to purchase immunity from attacks of the society by grace to one of its members. Nor does it take the other view. It does not go to the bottom, at shows mercy without uprooting the evil...
...apparently originated when the College was more like a school than a large University and when the students were imbued with that spirit of prank playing natural to such a situation. As long as the College remained a College this spirit was fostered and some explanation could then be made for the existence of such an organization although its existence was to our minds unjustifiable. But now times have changed, the University has put away childish things and the "Med. Fac." is out of date...
Through the CRIMSON I should like to ask members of the University to suspend final judgment and action in the Phillips Brooks House case until the administrative action in the matter is announced. The details of this are known to administrative officers of the University and to representative undergraduates and will be made public through the CRIMSON at the earliest possible moment. Yours sincerely, B.S. HURLBUT. 4 University Hall...
...lawyer could have been of the greatest service to the community, however,--in the solution of the problems of public economy--he has generally asserted his influence on the wrong side. On questions relating to trusts, the municipalization of franchises, the conflict between capital and labor, and the like, the great lawyers have almost invariably tried to influence legislation in favor of wealthy corporations, and against the people. They justify their action on the ground that they are only attempting to present one side of the question, just as in a court of law, and are leaving the legislatures...
...inimitable drawl, and convulsed the audience by his solo "Absent-Minded," R. N. Baldwin '05 sang "The Ghost" and "Guidarello Gidarelli" with ease and snap. His burlesque of the sate ghost was amusing, but not consistent, even for the purposes of comic opera. For Gascon Abandon and D'Artagnan-like swagger B. Joy '05 was all that the part of DeTrop required, and his songs "Soldiers of Fortune" and "Gascony" gave life even to the well-trained chorus. "Alfred Dante Petrarch," "Castles in Spain," and "Araby" were sung with good enunciation and graceful action by W. P. Sawyer...