Word: likes
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Dates: during 1950-1959
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...woman, a child." This tension between geometric and biological forms is what has most distinguished his work ever since. It makes him one of the most admired and least understood sculptors, for Lipchitz' geometric parings and biomorphic bulgings combine to give a brutal and confused effect, like that of a life-and-death struggle in a gunny sack...
Alberto Giacometti, 57, is a hungry sort of spaceman who eats away the forms he makes, leaving space supreme. "I see reality life size," he once remarked, "just as you do." But his portraits got smaller and smaller. He would carry them in his pockets, like peanuts, to the Paris cafes, and crush them with a squeeze. After World War II, Giacometti suddenly began producing tall, straw-thin stick men reminiscent of ancient Sardinian bronzes. His sculptures can be seen almost all the way around and dominate space instead of filling it. These new figures were universally acclaimed, but Giacometti...
...Moore knew he would be a sculptor. Their miner's home was poor and crowded-Henry was the seventh of eight children. Father Moore was a fair but stern man. Says son Henry: "He was the complete Victorian father, aloof, spoiled like all of them in those days. No one could sit in his particular chair. But though he was not outwardly soft, he had a real concern and love and ambition for us. Particularly for his sons." He wanted Henry to become a schoolteacher, like his older brother Raymond and sister Mary...
...potentialities. But today he avoids the word hole. "I have attempted to make the forms and the spaces [not holes] inseparable, neither being more important than the other," he insists. In many late works he has all but abandoned the hole. But through those first apertures Moore traveled like Alice through her rabbit burrow into a most fertile wonderland of sculptural invention...
...years, husband of Hollywood's first Oscar-winning actress, Janet Gaynor (Seventh Heaven); of a stroke; in Hollywood. For more than a decade Adrian set the pace for women's fashions across the U.S. and even to Paris, made Jean Harlow, Katherine Hepburn and Norma Shearer look like haute couture models, put Greta Garbo in sequined slacks. Lynn Fontanne in a white organdy bow that started a national fad, released Joan Crawford from a movie prison in a little basic black dress that any right-thinking woman would have given her eyeteeth...