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Word: likes (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...sort is probably a necessity." In an address to the Darwin Centennial Celebration at the University of Chicago last week, the grandson of Darwin's friend and defender, Biologist Thomas Huxley, went on to describe what he called a "religion" of the future-although it sounded a lot like the old humanist faith of the past. This "belief-system, framework of values, ideology, call it what you will," said Huxley, will have "no need or room for the supernatural." It will be evolutionary, because "the earth was not created, it evolved. So did all the animals and plants that...

Author: /time Magazine | Title: Religion: New-Time Religion? | 12/7/1959 | See Source »

...chief executive officer of General Foods. The ingredients: a mind as restless as a bubbling stew, a big pinch of Madison Avenue savvy, a full measure of shrewd selling experience. All this is mixed with an insatiable curiosity about the U.S. woman-what food she buys, what she would like to buy, and how it can be made easier to serve...

Author: /time Magazine | Title: MODERN LIVING: Just Heat & Serve | 12/7/1959 | See Source »

...agency that later became Batten, Barton, Durstine & Osborne, Mortimer went over to Postum, got a job as an assistant ad manager for Sanka and Calumet. Not long after, he confided to a friend: "I want to spend the rest of my life here. And some day I'd like to be president...

Author: /time Magazine | Title: MODERN LIVING: Just Heat & Serve | 12/7/1959 | See Source »

...Glatsky' that will have all the nutrients of a steak. I want my steak." But if the public showed a need for Glatsky and a willingness to buy it, Charlie Mortimer would not hesitate to put a General Foods label on it. Then even he might learn to like...

Author: /time Magazine | Title: MODERN LIVING: Just Heat & Serve | 12/7/1959 | See Source »

...view: "Beauty is truth." This creed spurred the art-for-art's-sake movement with which an entire generation of painters and writers thwacked at the Victorian taste for the didactic, the sentimental and the morally elevating. From London (where he moved in 1859), Whistler deployed his canvases like troops in this avant-garde campaign. The fury to which he goaded proper Victorians bubbled over in 1877 when Ruskin, the reigning art pundit of the day, wrote that Whistler was "a coxcomb, flinging a pot of paint in the public's face." At a farcical libel trial...

Author: /time Magazine | Title: Books: Scorpions & Butterflies | 12/7/1959 | See Source »

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