Word: likes
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Dates: during 1950-1959
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...Like many another company, Du Pont pays for the worker's diagnosis and early treatment in an outside alcoholism clinic. But how does the company spot the man who needs treatment? Answered Du Font's Alcoholism Advisor David Meharg, himself a member of Alcoholics Anonymous: "When a man-or woman-stops bragging about how much he can drink and begins sneaking and lying about it, that's when he is an alcoholic...
...Dreams. The moon pictures released so far look fuzzy, but experts consider them extraordinarily good, considering the fantastic difficulty of getting them at all. To laymen, the moon's far side, long populated by storytellers with strange beasts and weird civilizations, looks disappointingly like its visible side. But astronomers find it surprisingly different. They point to the comparative lack of the big, roundish, dark "seas" that are so common on its known face. The area newly pictured shows only one really big sea, which the Russians named the Sea of Dreams. A smaller sea they named...
...Chamberlain was born in San Francisco, is on leave this school season to lecture at Harvard. Dr. Segre, an associate of the great Enrico Fermi, was born in Tivoli, Italy. Like Fermi, he came to the U.S. before World War II because of disgust with Italian Fascism. Both he and Dr. Chamberlain worked at Los Alamos on the atomic bomb, and Chamberlain helped explode the first test bomb at Alamogordo...
...knowing sparrow of a man, Bouché often asks the glamorous and important to pose for his thin-stained canvases, gives them a drawing for their pains. Bouché's technical equipment, like that of John Singer Sargent and Giovanni Boldini, is not prodigious, but exactly suits his ends. He may well rank with those past masters of social portraiture. Bouche is not one to portray the bellhop or the country maid, but flies straight to the inmost circle of society, where the crustiest tycoons really do unbend, all wives are beautiful, and well-tailored bohemians are welcome...
...from $500 to $2,000 in a one-man show at Manhattan's Staempfli Gallery last month, still keeps the thick colors, fat brush strokes and overall concern with surface that marks the abstract expressionists, but he frankly welcomes figures back into art. "Before," he confesses, "I felt like a critic while I was painting, not a painter. Besides, I like bodies...