Word: likes
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Dates: during 1950-1959
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Philip Carey, 34, has a hard-eyed face and a big (6 ft. 4 in., 207 lbs. ) frame that lend Philip Marlowe the look of a man who has been around. These days Raymond Chandler's Eye seldom travels from L.A., but like his original, Carey maintains the air of an adventurer, a man who might take one drink too many and wind up m Singapore with a full beard. Up from Hackensack, N.J., with stopovers as a Wall Street runner and a Jones Beach lifeguard, Carey has long been an admirer of Chandler's books, is openly...
...important night scenes are faked on the back lots of Hollywood; to save overtime wages, these are shot in daylight with the cameras stopped down or filtered. Most of the all-important fights are faked too. Some actors, e.g., Craig Stevens, who was once an amateur boxer, like to throw their own fists in the closeups, but directors are leary of such heroics. So far in 51 scraps, Stevens has had only one accident-a torn fingernail. Darren (Mike Hammer) McGavin has also had only one accident: a broken rib. Still, the producers prefer the standard technique of organizing camera...
...solution. Suggesting archly that to be consistent CBS would have to drop such petty-cash guessing games as I've Got a Secret and What's My Line?, NBC said that it would make its own shows honest from top dollar to bottom, because "millions of Americans like and want them...
...sheared ram of God. Watteau's study of lovers in a park makes black, white and red stand for all the colors of the rainbow. In Watteau, love and laughter blend into one. To round the gallery corner to Goya's Two Prisoners in Irons can be like taking a header off a cliff. Unlike the monster-painters, whose malformed "images of man" are the latest art fad (TIME, Sept. 7), Goya made the victims of inhumanity-in this case, obviously a chained father and son-touching by the simplicity of their unadorned humanity. Instead of titillating...
...instance, he appears in a radio series on which he plays numbers such as Kitten on the Keys, for which he has deftly recorded first the left-hand part, then the right-hand part (played with the left hand). When the whole thing is glued together, De Groot sounds like his old two-handed self playing like sixty...