Search Details

Word: likes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Irene Baker, describing the politics of Stepson Howard Baker Jr., Senate minority leader: "Like the Tennessee River, he flows right down the middle...

Author: /time Magazine | Title: People: On the Record | 11/5/1979 | See Source »

...journalists reported to the office twice a week, covered their beats as best they could and worked on long-term stories. Some two dozen Timesmen busied themselves writing books, others freelanced for magazines, but none completely escaped the ennui that afflicts a newspaperman suddenly without a newspaper. "I feel like a frog in the winter," Times Foreign Editor Charles Douglas-Home said at one point. "All horizons have contracted. Things continue to function, but at a tiny percent of efficiency...

Author: /time Magazine | Title: Press: Return of the Thunderer | 11/5/1979 | See Source »

...tourists in Mark Twain's Innocents Abroad. Joel (Miles Chapin), a preppie who has come to Europe to dress up his college transcript, stretches his rudimentary French vocabulary into epic malapropisms. Alex (David Marshall Grant), an Oberlin aesthete, takes to reading Hemingway aloud and composing songs with lyrics like "Paris is a teacher who has lessons to give/ How to love, how to live." The lovesick Laura (Blanche Baker) turns sightseeing into a grim obsession by setting out to visit every listing in the Michelin Guide. Of course these students, like so many before them, are not so adept...

Author: /time Magazine | Title: Cinema: Culture Gap | 11/5/1979 | See Source »

...into a nervous breakdown that gratuitously breaks the movie's antic mood. Joel's romance with a snippy French girl (Val erie Quennessen) is a hotbed of cliches; it moves us only because Chapin's likable innocence contrasts so well with Quennessen's robust, Moreau-like sexuality...

Author: /time Magazine | Title: Cinema: Culture Gap | 11/5/1979 | See Source »

Faulkner spent his prime writing years perpetually strapped for cash. The energy poured into novels like The Sound and the Fury (1929) and As I Lay Dying (1930) netted him almost nothing, and the private squirearchy he was establishing in Oxford, Miss., cost money. Hollywood offered him periodic stints of screen writing, and these paid some bills. The marketplace for short fiction provided another recourse. Luckily for Faulkner, at the time it was enormous: the Saturday Evening Post, Collier's, American Mercury, American Magazine, This Week, Woman's Home Companion, Country Gentleman, Scribner's magazine. Faulkner received...

Author: /time Magazine | Title: Books: Tales in the Marketplace | 11/5/1979 | See Source »

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