Word: likes
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Dates: during 1980-1989
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...They [Harvard officials] are too powerful for a small businessman like me to ever deal with. You're adults and you shouldn't be treated like kids. That's ridiculous," another retailer says...
...When you see things like that, you start paying particular attention to it--apparently it is quite widespread here," Johnson says. "The University is going to be taking a very serious view on ID's. It's another giant step...
...dyes at the Boston Opera House, Dylan stormed through a hard-edged set that emphasized his independence and uncompromising nature. His band was tight, his guitar sounded terrific, and he even threw in a large chunk of the old songs that made him famous. If this seems like a good recipe for a concert, it was. Sort...
There were moments where Dylan's aggressive independence paid off and his performance shone. A rousing version of "Like a Rolling Stone" brought the crowd of 1000 to their feet, and Dylan growled his way through "It's All Over Now, Baby Blue" in a winning manner. After a few opening songs in which he looked restrained, the energy level never flagged, and, as always, Dylan looked gratifyingly scruffy with his black leather and tangled hair. He spent a little too long proving that he could be uncompromising, but the talent was there, and it's the mark...
...opening act spent its 40-minute set proving that it should have stayed in Texas. Jason and the Scorchers played a number of painfully bad songs, all in the same chord, and the group left the audience numb with fear. This garbage band did its best to sound like outlaws of rock 'n' roll, but despite lead singer Jason's 10 gallon hat, The Scorchers more resembled Megadeath than Tom Petty. But their set wasn't a total loss; the guitarist had some mean tattoos...