Word: likes
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Dates: during 2010-2019
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...like the drama...
...Like a scarlet letter, an accusation of plagiarism is perhaps the most devastating fate that can befall a man or woman of letters. Doris Kearns Goodwin, for instance, will never quite enjoy the same reputation she had before scandal erupted over an unquoted passage in “The Fitzgeralds and the Kennedys;” Stephen E. Ambrose, who copied from no fewer than twelve sources over the course of writing seven books, may as well be known as academia’s Samuel Mudd...
...that vilifies writers like these, it goes without saying that defenders of plagiarists are few and far between. Few, for instance, would dare defend a writer like Kaavya Viswanathan ’08, whose novel—“How Opal Mehta Got Kissed, Got Wild, and Got a Life”—borrows more than just a few words from several previously published books. Few, that is, except for David Shields, who, in “Reality Hunger,” maintains that Viswanathan must be considered an artist precisely because?...
...course, “Reality Hunger” itself is meant as an example of the sort of collage for which Shields so loudly clamors throughout the book: it has no narrative structure whatsoever, is told in a series of dubiously related vignettes—some like essays, others like haikus—and draws upon a wealth of examples from culture as highbrow as Proust and as lowbrow as reality television shows. “Nothing is going to happen in this book,” Shields writes...
...contempt for the people who actually appear on her show. It’s not that her C-list guests don’t deserve it, nor that it isn’t funny. But it represents the limitations of Handler’s draw—someone like Jennifer Aniston wouldn’t deign to waste an evening in an uncomfortable couch in front of an audience of gawking tourists just so that she could be insulted on national television...