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...thing you hear overwhelmingly year after year from the alums that come back [is that] they all say that although things have changed, Kuumba remains the same,” says Sheldon K. X. Reid ’96. “So we feel like we’re keeping true to the intent and the purpose of the mission and goals of the people that came before us, which is our goal...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Kuumba Celebrates 40th | 4/20/2010 | See Source »

...husband,” Christiane Kubrick told The New York Times in 2006, “always had a drawerful of ideas. There were always a lot of stories on the go, things he left started, things he left lying around. It was like being in a waterfall.” Eleven years after Stanley Kubrick’s death, it would appear that the waterfall continues to trickle: Scarlett Johansson and Sam Rockwell have been cast in “Lunatic at Large,” a psychological thriller that Kubrick commissioned in the late 1950s. Although the script...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...artist’s personal work? every artist has the prerogative to decide which ideas to pursue. It’s a right as basic as keeping one’s thoughts to oneself, and to produce someone’s unfinished work feels, at some level, like an extremely personal type of violation...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...Lunatic” presents another problem typical of unfinished films: it was written 50 years ago. The noir conventions that Kubrick would have played upon seemed trendy and cutting-edge then; to shoot a film like that today is a bold stylistic affectation that would undoubtedly dominate the audience’s attention. Even if the director of “Lunatic” decides to avoid the flashiness of noir cinematography, the piece is still set in 1956, and Hobbs and the production team have decided not to rewrite it. There is no good solution to the dilemma...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...nothing else, the practice of resurrecting films like this poses some interesting theoretical questions about authorship: who deserves credit for a successfully resurrected film like “Heaven?” How can we discuss films like this in terms of artistic intent? But as compelling as unfinished works are as case studies, they often amount to significant violence upon a filmmaker’s oeuvre. Instead of being remembered as prolific, successful, and complete, Kubrick’s career will seem to trail off, leaving behind a collection of troubling uncertainties that will hover over his work long...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

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