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...throughout a whole movie,” Hill explained, “He was sort of... one-dimensional. He was more the funny, weird stalker-ish guy. Aaron’s probably the most together character I’ve ever played in a film... I just felt like Matthew the waiter is a weird character, but he’s not someone you might want to sit through a whole film [with], you might...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...With the three opening tracks of “Swim,” Caribou shows he can do dance. And he’s proven with remarkable consistency over a decade of music-making that he can do ambient electronica. But somehow, when those two aspects merge in songs like “Bowls” and “Leave House,” they lose much of what makes them compelling in the process. Less than the sum of its parts, the record’s middle section decelerates and de-energizes the music, and the result...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

...Woman, like man, is her body,” Beauvoir wrote, “but her body is something other than herself.” Although masculinity coincided with the for-itself—that freedom which makes one uniquely human—femininity coincided with the in-itself—the inhuman or object-like. Man encountered the body as pure instrument, able to be dominated and controlled; woman, by contrast, experienced her body as an inscrutable burden. Biological givens may have had no meaning outside that which society conferred on them, but they still had an objective reality...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

...poems, in which he often employs straightforward rhyme schemes. His poem “The Swing,” for instance, strictly follows the ballad form. He writes, “the bright sweep of its radar-arc / is all the human dream / handing us from dark to dark / like a rope over a stream.” One can easily hear the oscillating, swing-like rhythm, and this type of melodic accessibility permeates the entire book...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

Although Paterson tends to use older and more traditional verse forms, his book also shows a firm grip on present-day life, displayed in his nonchalant attitude and a variety of witticisms. In the montage-like sequence “Renku: My Last Thirty-five Deaths,” Paterson at times sounds almost too playful to be taken seriously. “If I had a happier dream / this might have been a better poem,” he writes. However, it is precisely this addition of levity that offsets the often overly-sentimental voice that takes precedence...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

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