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Lamott has written so much about Sam in her nonfiction--her breakthrough book was 1993's Operating Instructions, a memoir about her first chaotic year of single motherhood--that fans pepper her with questions about him at readings "until I'm like, 'Enough about Sam,'" she jokes. As insatiable as the interest is, she is protective of his life. "People feel like they know me and Sam," she says, but "they know what I have chosen to share with them...

Author: /time Magazine | Title: Tough Love | 4/12/2010 | See Source »

...really money-where-your-mouth-is time." Jax "has just been an absolute blessing every step of the way," she says. She keeps perspective: it's better to gain a child to love than to lose one. And being a grandmother is a blast, she says. "It really is like the bonus round...

Author: /time Magazine | Title: Tough Love | 4/12/2010 | See Source »

...understand me too quickly." Isn't that what we so often do with Matisse? We rush to indulge in the pleasures his art provides without coming to grips with its complexities. Compared with the Cubist-period work of his near contemporary Picasso - one picture after another that can be like a cheese grater for the eyes - even the most recondite Matisse is pretty beguiling. All those canvases flush with rose pink and aqua, filled with dancers and flowers and fruit - it's hard to look at them and remember the tough-minded choices that went into them. (See pictures...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

...fundamental question of how to construct a picture. They were also, no surprise, considered ugly and incomprehensible in their time. Matisse once said he wanted viewers to feel about his art the way they would about "a comfortable chair" - an odd sentiment from a man whose art was more like an electric chair...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

When he was through with the hectic charms of Fauvism, Matisse moved to distill and stabilize his art by conjuring up a stripped-bare world of preclassical antiquity, a place that was one part arcadia, one part Land That Time Forgot. In enigmatic pictures like Bathers with a Turtle, from 1908, bluntly rendered figures were disposed among wide, flat bands of nearly abstract blue and green that signified - just barely - land...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

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