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Xie’s curatorial arrangement optimally displays a series of surreal, sexually charged images. “Garden of Earthly Delights” features nude female figures interacting within a surrealist landscape, while “Erotica” depicts similar figures draped across an imposing, devil-like creature, whose intricate folds of flesh and meticulously detailed features elicit a potent emotional response. Perhaps the most striking of these sexual, unearthly images is “Los Dos Kaylas,” which depicts two faceless, nude figures, their bodies textured with a mélange of colors, perched...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: Escobedo Ignites 'Fire' with Solo Show | 3/30/2010 | See Source »

...sociopolitical and economic conventions of art institutions can be examined and challenged in more literal forms like essays. Why did you choose to do so from an artistic approach? Do you believe one method is more effective...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...Well, I think from a number of perspectives, it’s not as easy to distinguish what is me and not me. We have our names and specific biographies, but even our names are amalgams of other names like our parents’. And from a psychological and psychoanalytical perspective, we can think of people as being collections of other people and their relationships. Or collections of relationships that we have internalized and even things that we have invested our attention in and taken into ourselves. In a way doing the kind of work I did, it?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...other hand, anyone really looking at institutional critique and the practice associated with it could see that it was never about escaping institutions. Like Marcel Duchamp’s “Urinal”—an object only takes on a specific meaning as an art object within a discourse with the history of art and within these institutions. Instead [of trying to escape] one is left to struggle within this discourse...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...very often, I don’t think artists always consider the field of meaning outside of intention. With my own work, my position is that you are responsible for all of it. Even if you did not intend it and even if it seems like pure projection on the viewer’s part, you are making this thing and putting it in the world...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

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