Word: likings
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Dates: during 1930-1939
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Queried by TIME for his opinion of Whiteside, ex-Dramatic Critic Woollcott answered: "I only review plays for money." In Too Many Girls (produced by George Abbott) Richard Rodgers & Lorenz Hart, who always bob up with something as little like their last musicomedy as possible, have jumped all the way from Shakespeare and old Syracuse to college and New Mexico. Their scene is a rundown campus called Pottawatomie ("One of those colleges that play football on Fridays") and their plot a combination of Boy Meets Girl and Team Beats Rival...
...does everything but break a leg. In I Didn't Know What Time It Was, charming Marcy Wescott tremulously chalks one up for love. In Give It Back to the Indians, Rodgers & Hart sell short the Manhattan they raised a glass to in the Garrick Gaieties. In I Like to Recognize the Tune* Rodgers & Hart-who hate swing-give "hot" bands an earful...
...called Krupa plays the drums like thunder...
Good as it is, the music is not Rodgers at quite his best or most individual. But where Rodgers has dropped the reins, Producer Abbott has seized them and gone to town like Yankee Doodle. He has given Too Many Girls the genuine youthfulness of such Abbott comedies as Brother Rat and What a Life, and for the same reason: because it is full of natural, exuberant young people. He has given it a headlong pace, a slam-bang zest and zip. Too Many Girls is in no one respect outstanding, but it doesn't need...
...Gilbert Miller; by Ben Hecht & Charles MacArthur from a play by Ladislaus Bush-Fekete) brings Near-Divinity Helen Hayes back to Broadway in her first new role there since December 1935. For this Broadway can rejoice, even though finding anything to rejoice at in the play itself is like looking for a needle in a Hayestack. After a two-month tryout, this thing of shreds & patches is still, like Gaul, divided into three parts-comedy, drama, romance -and, as in Gaul, the three parts are on very uncivil terms...