Word: lilies
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...Acquittals. Nonetheless, his legend rests on his occasional histrionic flashes. He broke bones in both hands thumping on the counsel table or the jury-box railing. Once, demonstrating a murder scene, he lay flat on the courtroom floor and continued his oration from that position. When he defended Stripper Lili St. Cyr on an indecent-exposure charge, he concealed his own paunchy frame in the allegedly diaphanous towel that had covered her on the night in question, so convulsing the jury that the case was laughed out of court. In his desk drawer he kept Lili's black lace...
...Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of musicals, My Fair Lady...
...Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of Manhattan's musicals, My Fair Lady...
...Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of Manhattan's musicals, My Fair Lady...
...past season, Jean Kerr's Mary, Mary continues to sail along with sellout houses, and Shelagh Delaney's raw and powerful A Taste of Honey is still on the boards, as are the musicals Camelot (Arthur and the Round Table), Carnival! (a Broadway version of the film Lili), and Irma La Douce (Parisian underworld). From the Pleistocene epoch: Fiorello!, a musical replanting of New York's Little Flower; The Sound of Music, the last and most sentimental work of Rodgers and Hammerstein; and, of course, My Fair Lady...