Word: lillian
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Dates: during 1980-1989
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...Lillian Hellman once wrote, in an attempt to explain Richard Nixon's reemergence in 1968, that Americans don't like to remember too much, that the images of today obscure the truths of the past. Some commentators insist that Mondale's surge comes too late, that it follows too disjointed a campaign; and that the memory of the Reagan of September will overwhelm those of Mr. October. But for the past week, each of the evening newscasts has begun with pictures of Mondale as a self-assured, confident man acting like a winner and, the reporters tell us, with some...
Everyone can use an aphorism. I wish I could remember one, something especially Delphic or brilliant from The Consolation of Philosophy, the Bhagavad Gita, the Koran. Charlie Chan said: "Evidence like nose on anteater." Does that count? Russians are better at such things. Once in my earshot Lillian Hellman observed: "A crazy person is crazy all the time." I have frequently found that valuable, particularly when in the company of a crazy person who is, for the moment, lucid. Confucius said: "Filial piety is the constant requirement of Heaven." That seems to me an excellent aphorism...
...from O'Neill in all these promotions, Ferraro brought talent to the tasks and early won the respect of House colleagues. She showed herself to be an organization Democrat who, despite her evident ambition, played by the rules. She loyally supported Jimmy Carter after he sent his mother Lillian to Queens to stump on Ferraro's behalf. "When someone does something for me," Ferraro says, "I don't forget." Congressman Leon Panetta, a California Democrat, vouches for her political savvy. "She doesn't shoot from the hip," he says. "She's sensitive to issues...
...seven-day week, sunrise to sunset. Along the way, Griffith practically invented the autocratic personality of film director. On the set he tended to treat actors as children, looking down his "fine, cantilevered nose," as Lionel Barrymore put it. He was not above firing a gun near Lillian and Dorothy Gish when those teen-agers were having their problems miming fear...
Each of them was the Marilyn Monroe of her day, so Photographer Richard Avedon was assigned to shoot the real Marilyn posing as Theda Bara, Clara Bow, Marlene Dietrich, Jean Harlow and Lillian Russell for a 1958 spread in LIFE. Later, Avedon mislaid the negatives. Then, last December, as he was unpacking books in the library of his new home at Montauk, N.Y., out plopped the photos. He was not so fond of the Dietrich on second viewing, but the four others still charmed him, and he is issuing them as posters at $100 a set ($200 signed). The pictures...