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...Jimmy Carter. In a decision that appalled many Western allies and annoyed some Yugoslavs, the President stayed home and instead sent a delegation headed by Vice President Walter Mondale. The official U.S. mourning party of 25 included Treasury Secretary G. William Miller and the President's mother Lillian, as well as low-level politicians from Mondale's home state of Minnesota. "I don't think we have anything to apologize for," said a ranking U.S. diplomat defensively, adding that "Mondale is a major figure...

Author: /time Magazine | Title: YUGOSLAVIA: Tito's Epochal Funeral | 5/19/1980 | See Source »

...trial was as meandering as the Suwannee River. For 16 weeks, lawyers argued their cases before Atlanta Judge Charles A. Moye Jr.-with the help of courtroom bombast, some 20,000 documents and 173 witnesses, including testimonials from luminaries like Lillian Carter. Finally, after mulling over the evidence for eight days, the jurors last week reached a verdict. They found former Budget Director Bert Lance not guilty on nine counts of bank fraud, but deadlocked on three other counts of banking violations. As the jurors filed out of the courtroom, several of them waved at Lance and his wife LaBelle...

Author: /time Magazine | Title: Law: We Just Plain Licked 'Em' | 5/12/1980 | See Source »

King recognizes three stages of "historical consciousness"--a term poorly defined by him and most others who overuse it--in the Southern Renaissance, an intellectual outburst after World War I that includes William Faulkner, Allen Tate, Thomas Wolfe, Lillian Smith, W.J. Cash, C. Vann Woodward, and Robert Penn Warren. King observes that these three historical stages leading up to the Southern Renaissance--repitition, recollection, reassimilation--parallel exactly the process of psychoanalysis. The writer and historians of this era, climaxing in Woodward, struggled to reassess the Southern burden, the Gone With the Wind fantasy of hoopskirts and grace, the centerpiece...

Author: By Susan C. Faludi, | Title: Rhett Butler on the Couch | 5/9/1980 | See Source »

Finally, like many others before him, King declines to deal with Black and women Renaissance writers (excepting Lillian Smith) because "they were not concerned primarily with the larger, cultural, racial and political themes that I take as my focus." His attitude is chillingly condescending. By choosing to contemplate solely the father-son tradition in Southern psychology rather than the equally rich area of Black-white and mother-daughter relationships, King selects a narrow perspective sadly similar to his predecessors'. Repetition, not recollection, is King's game...

Author: By Susan C. Faludi, | Title: Rhett Butler on the Couch | 5/9/1980 | See Source »

...play tells of a Salvation Army lieutenant's wooing of a hardened but unhappy gangster. Their love causes Bill Cracker to fall afoul of the gang's sinister leader, the Fly, and results in Sister Lillian's expulsion in disgrace from the Army. Through a series of predictable and improbable coincidences, all are reunited and forgiven, and the two camps join hands to form an army of the poor to fight the "real enemy"--capitalism...

Author: By Susan D. Chira, | Title: Kurt and Bert, Redux | 5/6/1980 | See Source »

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