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...Chartock's company treats Sullivan's music with equal taste. The principals have the support of an excellent chorus and orchestra, and when Lillian Murphy applies a clear lyric soprano of Yum-Yum's "The Sum Whose Rays," music shunts patter aside with great effect. Another celebrated import from D'Oyly Carte, Ella Halman is, as usual, a formidable "Daughter in Law Elect...

Author: By R. E. Oldenburg, | Title: The Mikado | 10/15/1952 | See Source »

Married. Senator Charles William Tobey, 72, New Hampshire Republican; and Mrs. Lillian Crompton, sixtyish, a longtime friend and neighbor; he for the third time (he was twice a widower), she for the second; in Wilton...

Author: /time Magazine | Title: Milestones, Sep. 29, 1952 | 9/29/1952 | See Source »

...Lillian Hellman, 46, the talented author of such Broadway and Hollywood hits as The Little Foxes and Watch on the Rhine, has quite a record of political activity outside the theater. Her sympathies for the world's downtrodden, by her own account, have led her twice to visit Russia. In 1945 she was the Soviet government's honored guest. Her sympathies have also led her to attend countless Red-inspired rallies and to lend her name to various Communist-front crusades. Playwright Hellman, who once described herself as "the greatest meeting-goer in the country," went last week...

Author: /time Magazine | Title: The Theater: Meeting-Goer | 6/2/1952 | See Source »

Pleading the possibility of selfincrimination, Lillian Hellman refused to say whether she had ever been a Communist Party member. Then Committee Chairman John Wood took over. To his barrage of questions, Playwright Hellman, an expert at smooth dialogue, replied that she is not a Communist now, was not yesterday, or a year ago, or two years ago. "Three years ago?" asked Wood. Witness Hellman refused to answer...

Author: /time Magazine | Title: The Theater: Meeting-Goer | 6/2/1952 | See Source »

...said that she would be willing to tell all about herself, unless that meant getting old associates in "bad trouble." In an odd illustration of her point, she refused to state whether she had ever known a screenwriter named Martin Berkeley, a "cooperative" witness who had helped get Lillian herself in trouble...

Author: /time Magazine | Title: The Theater: Meeting-Goer | 6/2/1952 | See Source »

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