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NONFICTION: Fatal Flowers, Rosemary Daniell ∙ Maybe, Lillian Hellman Philosophy and Public Policy, Sidney Hook ∙ The Last Nomad, Wilfred Thesiger ∙ The Return of Eva Peron, V.S. Naipaul ∙ Thirty Seconds, Michael J. Arlen ∙ Wilderness of Mirrors, David C. Martin

Author: /time Magazine | Title: Books: Editor's Choice | 6/9/1980 | See Source »

...DIED. Lillian Roth, 69, torchy-voiced singer-actress who told all about her lifelong struggle against alcoholism and mental illness in a poignant 1954 autobiography, I'll Cry Tomorrow, that became a hit movie starring Susan Hayward; following a stroke; in New York City. Pushed by ambitious parents, Roth was already a stage and vaudeville star when she began her Hollywood career at 18, but her professional success was punctuated by repeated personal disasters, including recurring drinking bouts, fits of depression and failed marriages. Her book's popularity helped launch a final comeback ("My 94th," she quipped) that...

Author: /time Magazine | Title: Milestones, May 26, 1980 | 5/26/1980 | See Source »

...that Actress Lillian Gish, 83, bestowed on John Huston at a Lincoln Center film gala last week honoring his work was particularly affectionate. No wonder. "He seems like a relative," explained Gish. "I took my first curtain call at the age of five on the shoulders of his father Walter. We were touring in Rising Sun, Ohio." Years later, in 1960, Gish played for Huston in The Unforgiven, one of the 35 movies for which the grizzled director-actor was being honored, including such epics as The African Queen and The Treasure of the Sierra Madre. Huston, 73, listened...

Author: /time Magazine | Title: People, May 19, 1980 | 5/19/1980 | See Source »

...MAYBE by Lillian Hellman...

Author: /time Magazine | Title: Books: Memories | 5/19/1980 | See Source »

This slim book calls itself a story and reads like a fourth installment of Playwright Lillian Hellman's memoirs. In the latter guise, it is not a sequel but a haunting. Its 92 pages of actual text skip glancingly over the life already set forth in An Unfinished Woman (1969), Pentimento (1973) and Scoundrel Time (1976). This time, though, Hellman seems less interested in setting her record straight than in wondering whether such a task is possible at all. She writes: "So much of what you had counted on as a solid wall of convictions now seems...

Author: /time Magazine | Title: Books: Memories | 5/19/1980 | See Source »

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