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...more temperate zones. The productions have their admirable virtues; the stars have their expected lure. But this is no such event as was Olivier's Oedipus Rex on his last visit to Broadway. And far from blotting out a recent Caesar on Broadway (with Cedric Hardwicke and Lilli Palmer) or a recent Antony (with Godfrey Tearle and Katharine Cornell), the present productions will be constantly-and not always favorably -compared to the earlier ones. What is really important is doing two such plays together. Shaw's emerges as so good that what should be stressed is how vividly...

Author: /time Magazine | Title: The Theater: The Egyptian | 12/31/1951 | See Source »

...doubtful interpretation. For (what surely Shaw never intended) Olivier's Caesar is a man past being tempted by a minx, rather than one who declines the gambit for fear of being hurt. Vivien Leigh's Cleopatra is a willful, naughty, coaxing, charming child, more fully characterized than Lilli Palmer's perfect cuddling kitten, but almost as much enfant terrible as budding jemme fatale...

Author: /time Magazine | Title: The Theater: The Egyptian | 12/31/1951 | See Source »

...Among the productions new to Broadway will be: Laurence Olivier's production of Christopher Fry's Venus Observed, with Lilli Palmer and Rex Harrison; Fancy Meeting You Again, a play about reincarnation by George S. Kaufman and Leueen MacGrath; Herman (The Caine Mutiny) Wouk's Modern Primitive; Enid (National Velvet) Bagnold's Gertie, starring Glynis Johns...

Author: /time Magazine | Title: Medicine: Futures | 12/31/1951 | See Source »

...Another husband & wife, Rex Harrison & Lilli Palmer, are in Hollywood screening The Fourposter...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Nov. 5, 1951 | 11/5/1951 | See Source »

...blunders his way to the edge of the gallows. Finding his paramour murdered in her room, Harrison runs home in a panic, burns his bloodstained suit, lies to the police and spends most of the film being badgered by a prosecutor. Harrison's wife, played appealingly by Lilli Palmer, has two grisly scenes with the actual murderer (Anthony Dawson), a beady-eyed psychopath. But Directors Anthony Bushell and Reginald Beck are so entranced with brooding, shadowy photography that most of the film appears to have been shot at the bottom of a well...

Author: /time Magazine | Title: Cinema: Also Showing | 6/18/1951 | See Source »

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