Word: limbered
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Violinist de Vito, a handsome, erect woman with grey hair and dark eyes, was opening-night soloist. On the concert stage, she showed her Latin dash at once, tucking her violin under her chin with a flourish, then working both hands in the air to limber them before attacking the music. Her tone had none of the acid brilliance of a Heifetz, but in roundness and warmth resembled Kreisler's. She scorned fireworks or virtuosity. "She is an artist," said one De Vito fan, "not a virtuoso." In the Vivaldi concerto last week her violin was warm and passionate...
...picture gives Donald O'Connor, as the irrepressible press attaché, an opportunity to display his pleasant singing voice and limber legs. It also gives veteran Movie Villain George Sanders a chance to play a romantic role for a change, which he does attractively, and to sing for the first time on the screen in an agreeable lyric bass voice...
Where's Charley? (Warner) adds tunes, Technicolor and limber-legged Ray Bolger to that durable old 1892 romp, Charley's Aunt, to make a merry cinemusical. As Oxford Undergraduate Charley,* Bolger sings & dances in his ingratiatingly gawky style. And to get himself and his pal out of a romantic dilemma, he also impersonates Dona Lucia d'Alvadorez, his rich aunt from Brazil, "where all the nuts come from." Decked out in a long black dress and a red wig, "with a face like a hatchet, a voice like a duck and a figure to match," Bolger makes...
...nation's television and movie screens, the triumph of virtue is all but inevitable - particularly when virtue is embodied in the lank form of Cinemactor John Wayne. In 24 years of moviemaking, during which he has played some 150 imperceptible variations of the same role, Actor Wayne, a limber-lumbering 6 ft. 4 in. man with a leathery skin and eyes like a sad and friendly hound, has become almost a trademark of manly incorruptibility...
...grade-school boy. Employed in the six-man dance band which his father led as a weekend hobby, twelve-year-old Ralph soon began disorganizing the outfit with Waller-style chords and riffs plus a smattering of local St. Louis ragtime. At 19, his swinging, loose-jointed beat and limber wrists got him a job as pianist with Jack Teagarden's band. In 1942 he was drafted. Since the war he has wandered in & out of Manhattan jazz clubs, earning a reputation as the new leading exponent of oldtime jazz piano...