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Among no-words, all-jazz editions, Guitarist Mundell Lowe and a seven-man group are effective in a Camden album that has the musicians swinging in long, limber lines of nicely muted sound. The most imaginative Porgy is supplied by Trumpeter Miles Davis on a Columbia LP arranged by Gil Evans; in this case the Gershwin themes serve only as a departure point, usually for attenuated Davis solo nights...

Author: /time Magazine | Title: Music: Here Come de Honey Man | 6/22/1959 | See Source »

Some reflected the temper of the times ?a shock-haired Texan receiving a Broadway ticker-tape welcome for winning a piano competition in Moscow, a limber Australian methodically breaking records for the mile. Still other scenes were charmingly sentimental ? the heir to an ancient throne promising himself in marriage to a commoner he first met on a tennis court, the new, young head of a populous religious sect resuming his daily classes at Harvard...

Author: /time Magazine | Title: FRANCE: Man of the Year | 1/5/1959 | See Source »

...lookout, will go a long way to study a new dance. Their current specialty, researched in the Caribbean: the stiff-legged merengue, an old folk dance that some say got a new lease on life after Dominican Dictator Rafael Trujillo was injured in a car accident, could not limber up to the beguine or bolero...

Author: /time Magazine | Title: MODERN LIVING: On (and On) with the Dance | 10/6/1958 | See Source »

What makes Banks's blasts so remarkable is the fact that he is as lean and limber (6 ft. 1 in., 176 Ibs.) as any good-field-no-hit shortstop, a breed that traditionally has had trouble banging the fences. But Banks has powerful wrists and forearms. "You grab hold of him and it's like grabbing steel," says Cub Manager Bob Scheffing...

Author: /time Magazine | Title: Sport: Slugging Shortstop | 9/8/1958 | See Source »

...tweedy Composer Imbrie worked intermittently on his concerto for four years, completed it in 1954. As performed last week by the San Francisco Symphony, with Robert Gross as violin soloist, it proved to be a propulsive, clamorous virtuoso work in both twelve-tone and traditional diatonic idioms, with its limber solo line woven through the big sonorities of the orchestra in a stirringly unfolding tapestry of sound. The first movement, in alternating slow and fast tempi, built to its main climax by echoing the solo violin nights with orchestral figurations set at closer and closer intervals. By turns, the second...

Author: /time Magazine | Title: Music: New Star | 5/5/1958 | See Source »

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