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...sense it evoked, “Break the Eyes” had a technically impressive choreography that was nearly flawlessly executed. Elo manipulated the most classical of movements into provocative, eclectic scenes. Corkscrew leaps and strange coils tested the limits of gravity—and of dancers’ limbs??before the audience...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Fresh Take On Ballet In ‘New Visions’ | 3/4/2007 | See Source »

...played with rather than fetishized on a pedestal underneath a glass box. But for some reason (liability? security?) the show’s curator, Kirsten Weiss, chose to display most of the sculptures in exactly this fashion. Several other fabric pieces related to “Head Body Limbs?? are shown neatly folded and under glass; to do this to a piece that was explicitly meant to invite viewer interaction and thereby undercut traditional modes of displaying sculpture is the ultimate curatorial irony...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: ‘Dependent Objects’ at the Busch-Resinger | 10/15/2004 | See Source »

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