Word: limbs
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Dates: during 1980-1989
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Suddenly, the issue seems more important. The very limb which gives graduate women the contacts with other feminists and accomplished women scholars and the knowledge of the frontiers of research on issues pertaining to women which enable graduate women to turn around and teach and support undergraduates is being severed, apparently because too many non-undergraduates seek out the lectures, discussions, change-oriented organizations and the `EGIBLE>ere enjoyment of surrounding oneself, for a change, with a large number of women scholars at Harvard...
...with Cantell in the '60s and had done his doctoral dissertation on IF production. In 1972, using IF from Cantell's lab, Strander began injecting it into children with osteogenic sarcoma, a rare and deadly form of bone cancer. Conventional treatment of this disease is to amputate the affected limb, in the hope that the cancer has not yet metastasized. In most cases, that hope is futile. Without additional treatment, the cancer spreads rapidly to body organs, killing almost 80% of its victims within two years. Strander has now treated 44 of these patients with IF after surgery. More than...
...that is the end of the irresistible beginning. Freddy's mission is not to tear Winesap limb from limb or to discuss how it feels to be taken for a monster. Rather, he drops a bulky manuscript of his own composition inside the room and stomps off. The rest of Freddy 's Book is just that: Freddy's book. Gardner has used the device of a novel within a novel before, most successfully in his widely praised October Light (1976), but this time he refuses to provide the other half of the framing tale: Winesap, Freddy...
...water is now a is essential with politics which is luxury for the young doctor, a surgical resident in his first year of the Indiana University Medical Center's Opthamology program. He remains one of the sports biggest advocates and is not afraid to step out on a limb in support of swimming or amateur athletics in general...
...climaxing in smoky half-light. Fosse can give you bodies one segment at a time, cutting from an undulating thigh to a face in the audience to a medium shot of half-naked dancers reaching to two glistening torsoes intertwined--rhythmically tantalizing, exhaustingly erotic, you hang on every suspended limb. What a shame the number ends on a preachy note, something about taking you everywhere and getting you nowhere: the most sensual of show-biz choreographers dumping on his most sensual number for the sake of a few themes...