Word: limelight
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Dates: during 1960-1969
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SUMMER has become a bad season for Chicago police. 1966 was no exception. The city was once again in the limelight as a center for violence and crime. A major Puerto Rican riot, a major Negro riot, open housing marches led by Martin Luther King, counter-demonstrations by George Lincoln Rockwell, and the Speck massacre: each crisis made the policeman's job more hectic and trying. But during the summer, the police faced another, less-noticed problem-the rise of the Mighty Blackstone Rangers, a well-organized, tightly - disciplined street gang, which, according to police statistics, is the toughest...
...Limelight was essentially a tragedy, The Great Dictator, Monsieur Verdoux, and A King In New York bitter social satires. Countess, his first film in over ten years, marks Chaplin's return to a kind of comedy he hadn't created since Modern Times. In many respects the comedy is similar to that of the earlier films. Though American comedy since Lubitsch and Wilder has tended increasingly toward the verbal, Chaplin still largely ignores the potential of comic dialogue, emphasizing the visual jokes instead...
Though it resembles Chaplin's earlier films, Countess contains much of the bitterness of Limelight and A King in New York, giving the romance a darkly pessimistic overtone. The 70-year-old director's point of view has soured over the years, and certain feelings can be inferred from his new film. Chaplin can neither take comfort in the security of old age or have faith in youth. The society girl with whom Brando dances is self-centered and vapid, a Marxist parody of upper class Capitalism. Her continual references to the beliefs of her father imply that...
While the avant-garde captures the limelight by madly mixing media, a hardy band of painters are quite content to set down their vision of reality with meticulous draftsmanship. Such is George Tooker, 46, who works painstakingly in the 14th century Florentine medium of egg tempera on gesso panels. He is unabashedly proud of being called a traditionalist and a craftsman...
While Castello Branco is at heart a homebody who prefers to shun the limelight, Costa is an ebullient man about town who loves to put a few cruzeiros on his favorite horse, chat with attractive women and tell amusing stories on himself. Last week, as the two men marched up the aisle of Brasilia's Chamber of Deputies building for the swearing-in, a grim Castello Branco looked straight ahead; Costa, relaxed and enjoying himself, threw genial glances to friends and relatives. After the oath of office, Castello Branco stiffly shook hands with Costa's wife, lolanda; Costa...