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Apart from the evidence it provides about the President's critical conversations, the edited transcript furnishes a potpourri of marginalia that limn the style and character of the Nixon White House. A representative sampler...

Author: /time Magazine | Title: The Nation: An Intimate Glimpse of a Private President | 5/13/1974 | See Source »

...deputy Angelo. But those who equate the Duke with the Christian God are surely in error--unless God is scheming, deceitful, mendacious, irresponsible, fallible, and not without a streak of cruelty. The role is a flawed attempt at the kind of semi-divine authority-figure that Shakespeare would eventually limn so wonderfully as Prospero in The Tempest...

Author: By Caldwell Titcomb, | Title: Philip Kerr Excels in 'Measure for Measure' | 7/2/1973 | See Source »

...Dance Company finds a major U.S. dancer and choreographer now watching from the wings (Limón is 64), but still managing to charge a young, vibrant ensemble with his familiar spirit, dignity and eloquence of movement. One new Limn work, The Unsung, a choreographically skillful paean to America's vanquished Indian heroes, was imbued with all of the solemnity of an Indian sun dance and, unfortunately, much of its tedium. But Orfeo, a free, ever-unwinding retelling of the old legend set to Beethoven's String Quartet No. 11, summoned up the poetic suggestiveness and exquisite line...

Author: /time Magazine | Title: Dance: Delights of Diversity | 11/20/1972 | See Source »

...phrase, Keats quite rightly wrote of Shakespeare's "negative capability", by which he meant the playwright's ability to avoid putting his own personality and opinions into the mouths of his characters. But this "negative capability" was least in evidence in Henry V, in which Shakespeare set out to limn the unlimited glory of a national hero-conqueror, a model monarch. Yet Kahn has tried to make the play into a sardonic antiwar tract...

Author: By Caldwell Titcomb, | Title: Anti-War 'Henry V' Is Fascinating Failure | 6/30/1969 | See Source »

...blues in the history of painting equal the electric indigos and aquas that ornament the baked enamel crafted in the 15th and 16th centuries for princes and prelates in the French city of Limoges. These extraordinary hues, combined with lesser colors, were used by master craftsmen to limn exquisitely detailed pictures on altarpieces, caskets. ewers and platters, garnished lavishly with silver and gold. Subjects range from the Annunciation to the labors of Hercules, and some panels even chronicle minor themes like the French proverb of the bad shepherd.* The finest U.S. collection of these Renaissance enamels is owned...

Author: /time Magazine | Title: Art: Sparkle in the Storerooms | 12/15/1967 | See Source »

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