Word: limone
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...theory courses, he instituted a widely discussed curriculum called "Literature and Materials of Music," which used the music of the past as text and was largely taught by composers. The Juilliard that Mennin inherits has a flourishing dance department that numbers in its faculty Martha Graham. Antony Tudor, Jose Limon, and a topnotch quartet-in-residence, headed by Violinist Robert Mann. Juilliard stresses contemporary music, believing that "musicians of a given epoch have the responsibility for the music of their time." It emphasizes student performances, which frequently are attended by artists' managers and talent scouts for major orchestras...
...Jose Limon and company offered Barren Sceptre, a ballet treatise (music by Gunther Schuller) on the complicated family life of the Macbeths. The lights had scarcely come up on Macbeth, dressed entirely in black, when a pair of lavender arms sprouted from his shoulders, and presently Lady Macbeth slithered into view. For much of the rest of the piece the two swooped about the stage in convulsive frenzies, occasionally coming together like wrestlers grappling for a hold...
...trained dancer, teacher and choreographer, who with Charles Weidman formed her own school and company in 1928 (opening what New York Times Critic John Martin soon called "a new chapter in American dancing"), creator of such modern dance masterpieces as The Shakers, With My Red Fires and (for Jose Limon) Lament for Ignacio Sanchez Mejias; of cancer; in Manhattan. Her active career was stopped by crippling arthritis in 1945, but Doris Humphrey went on teaching, organized the Juilliard Dance Theater in 1954. After ten years of preparation, Doris Humphrey's Guggenheim-financed book, The Art of Making Dances...
...performances of a program by Jose Limon and the 13 other members of his dance company were offered. With choreography by Doris Humphrey, "Variations and Conclusion From New Dance" proved visually striking with contrasting blue and orange costumes. Wallingford Riegger's music was neurotic and neomodal, and a bit static harmonically. "Ritmo Jondo," based on songs and dances of Spanish gypsies, suffered only from ragged strings in the orchestra...
Lucas Hoving and Lavina Nielsen danced their own "Satyros," a hilarious spoof devised for a frothy Poulenc trio for piano, bassoon and oboe (the latter exquisitely played by Robert Freeman '57). The piece de resistance was Limon's own "Emperor Jones," a 20-minute ballet based on the O'Neill play. The choreography is inspired and Pauline Lawrence's costumes superb. The prolific Heitor Villa-Lobos composed the magnificently frenetic score. This ballet concert marked a tremendous improvement over the one presented last year...