Word: limpidity
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Dates: during 1970-1979
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...best vocally or dramatically. Pavarotti came through splendidly. Playing a 17th century nobleman who is enmeshed in a conflict with the Venetian Inquisition, he made bold entrances in full cry. His spacious second-act aria, Cielo e mar, which used to serve Caruso well, was traced in long, limpid lines that glowed with emotion. ins voice soared out of the big ensembles, seeming to carry the chorus into the air with him. At the curtain, Scotto took a single bow, then retired to her dressing room. Pavarotti came out with the other principals time after time, spreading his stevedore arms...
...resembles an apprehensive boy caught with spilled jam. However, he grows in authority as his kingship dwindles and seems most regal when his deeds are most evil. The cast does good ensemble work, and in the role of Macduff, Stephen Russell displays a riveting stillness of presence and a limpid delivery of the Shakespearean line that mark him for further distinction...
...Outside the madhouse or the monastery, no Englishman alive then-and no European of comparable genius-considered his life in quite this way. Blake, who never thought he was a dreamer, meant everything he painted to have the instructive force of revelation. Each drawing and poem-whether small and limpid, like the Songs of Innocence or his woodcut illustrations to Thornton's Virgil, or epically obscure, like the cantos of The Four Zoas or the grand designs of Jerusalem-was imagined as part of a metaphysical system, a means of explaining the history and nature of the world...
...tomba oscura, an unyielding piece, though a war-horse of recital repertory. In the last two bitter words, ingrata, ingrata, he showed how a bold singer with operatic instincts can bring pathos to the whole song. Perhaps the most perfect, if not the most ambitious number was Tosti's limpid Ideale. In the heavenly cantoria, one could picture Beniamino Gigli and Tito Schipa nodding paternally, John McCormack consulting the universal genealogy to see if Pavarotti has any Irish blood. He has been compared with these tenors and many more, including Caruso. None is quite right. Pavarotti is himself: a great...
...demanding dramatic style, displayed in its tiny (795-seat) opera house, like a masque in a princeling's private theater. The current season opened this month with a production of Verdi's Falstaff scaled to human size; Glyndebourne proves to be the perfect setting for the limpid musical economies of the composer's final opera...