Word: limpidity
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Breakneck Pace. Almost daily, letters pour into his home at Matsumoto from men looking for "a girl as pure as the limpid waters in the brooks of the Japan alps" or a young lady "with the most charming eyes," and from girls seeking the "right boy." Ishizaka, who insists upon interviewing all candidates at their homes, works at a breakneck pace: he engineered a mate for the alpinist in only a week and found the necessary charming-eyed lovely in 24 hours. He never asks a fee, leaving that to the generosity of the persons concerned. The largest...
...oscillation between illusion and reality and maintains the mystery to the final frame. Director Guy Green wastes footage on tepid erotic interludes, and some of his Grecian tableaux smack of spring pageants at Vassar. Still, he has a strong sense of place, and he uses the azure skies and limpid Mediterranean to give the story the cast of eternity and overtones of legend-in-the-making. In the final hallucinatory segment, he makes the screen a place of brilliant anguish, when time present and time past mix like ouzo and water until neither is what...
Certain composers such as Mozart, Beethoven, Brahms, and Dvorak possess an unerring inner discrimination for the wind timbres and persuasion, while many other composers simply pay obligatory homage to the noisemakers with passages of stark, inhumane cacophony for the brass, or limpid, precious colorings for the woodwind. With such works as Soldat, Octet, Dumbarton Oaks, and Symphonies of Wind Instruments, Stravinsky is definitely a member of the former group. L'Histoire du Soldat (1918), a suite of elegant miniatures for seven players, was given a generally excellent reading under the direction of student conductor David Archibald. Mr. Archibald, although somewhat...
Perhaps the most interesting fact about this limpid novel is that the author is Ginger Rogers' current husband. "The sordid realism of this book," he warns leeringly in the foreword, "may generate a feeling of shock." Promises, promises...
...unit that was already a leader in the second rank of U.S. orchestras (behind the "big five" of Boston, Philadelphia, New York, Cleveland and Chicago), he has given it an even finer edge of technical precision. While enriching its sound, particularly in the strings, he has achieved a limpid texture that lets the inner architecture of the music shine through. His interpretations, though vigorous and often intense, do not often reflect great emotional involvement-a trait that frustrates some members of the audience and orchestra. "Sometimes," sighs one of his musicians, "we wish he'd let himself go more...